Our vision mixers cut concerts, studio panels and other multi-camera shows. They follow the director's script and cues closely, and they stay steady when a running order changes minutes before transmission.
Services →
A technical director leads the gallery and keeps cameras, graphics and audio cues in step. That starts in rehearsal and carries through to the final minute of transmission.
Services →
We run live streams for events and festivals, handling encoding, platform feeds and backup paths. If one route fails, a second is already prepared so the audience stays connected.
Services →
Operators run instant replays, lower thirds and on-screen graphics. Each element is timed to the programme and checked against a cue sheet the whole gallery can read.
Services →
We review your control room layout, signal flow and monitoring, then give you a written plan. It sets out how to make the working space more efficient for the people in it.
Services →
Hands-on sessions teach operators live switching, comms discipline and fault handling. Training takes place on real production equipment, so what people practise is what they will use.
Services →
Live television leaves little room for second takes. Our crews arrive prepared, speak plainly on comms and keep the gallery calm, so producers can concentrate on the show rather than on the technology.
narravix
Multi-camera switching, Live broadcast direction, Streaming production operations, Replay and graphics operation, Control room design and fit-out advice, Crew training and workshops
Helen Marsden, Callum Reid, Priya Nair, Dan Whitcombe
Process
Every production is different, but the steps are the same. We learn what the show needs, match the crew to it and agree the details in writing. Then we rehearse together and stay with the production until the last frame goes out.
You tell us about the show, the venue or studio, the number of cameras and the transmission plan. We ask about the running order, the equipment on site and where the pressure points are likely to be.
What you leave with
A shared understanding of the show and its technical needs
Helen Marsden selects the operators whose experience fits the format, whether a concert, a studio panel or a festival stream. Roles are agreed so everyone knows who covers switching, direction, replay and graphics.
What you leave with
A named crew list with a role for each operator
We send a written quotation covering the crew, the days and what is included. Once you confirm it, we issue an invoice, which is paid by bank transfer according to our payment and refund policy.
What you leave with
A written quotation and, on confirmation, an invoice
The crew joins rehearsal to test cameras, graphics, audio cues and any backup feeds. Problems are found while there is still time to fix them, and the cue sheet is settled with the director.
What you leave with
A rehearsed gallery and a finalised cue sheet
On the day, the gallery runs to the script and cues. Comms stay clear, faults are dealt with quietly and the lead operator keeps you informed until the show has finished and the feeds are closed.
What you leave with
A completed transmission and a short handover note
Producers and event teams ask us much the same things before a first booking. These answers cover the most common ones, and the contact page is there for anything else.
Streaming ·
A practical walk through the encoding, platform feeds and backup paths we set up before any event stream goes live, so that one fault never takes the whole picture off the audience's screens.
Multi-camera ·
A working list of questions to settle with your producer and director before choosing who will cut your live multi-camera show, from camera count to rehearsal time and talkback.
Live direction ·
Most trouble in a gallery starts long before transmission. These are the habits that unsettle a live show, with plain ways to keep a direction team steady from rehearsal to the last cue.
Describe the production, the venue and the date, and we will suggest a crew and a written quotation covering switching, direction, streaming, replay or graphics.
Contact
narravix supplies live production crews and control room expertise for television and streaming, from our base in Salisbury.
